Anarch is a work of sinister animism and sorcerous reflection, tracing a sustained descent from contemporary art practice into a lived engagement with the “dark sacred.” It documents a shift away from institutional artistic space into a radical ecological and metaphysical withdrawal into the forest.
Rather than presenting theory alone, the book operates as a hybrid of manifesto, diary, and visual archive — where text and image form a continuous record of transformation.
Overview
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Format: 4vo (195 × 300 mm)
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Pages: 160
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Images: 100 full-colour plates
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Edition: Limited hardback
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Limitation: 800 copies
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Binding: deep black paper, red and black foil stamping
Description
Anarch collects writings by Gast Bouschet documenting a trajectory from the contemporary gallery system into an increasingly liminal and elemental mode of existence. Rejecting commodified artistic production, the work proposes a counter-practice grounded in rupture, withdrawal, and ecological entanglement.
The texts move through reflections on:
- Non-human intelligences and microbial life
- Predation, decay, and transformation
- Ritualised artistic practice as “counter-poison”
- The emergence of a Saturnian / Sol Niger current
Bouschet describes an art practice that is no longer separated from environment, but continuously altered by it — subject to decay, infestation, and recomposition.
Core themes
- Sinister animism and ecological sorcery
- Anti-institutional artistic practice
- Material transformation and decay as creative force
- The “Radiant Darkness” and base materialist philosophy
- Black metal aesthetics and philosophical extremity
Contents (selected)
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Nemesis (First Among Perils) — Jason Mohaghegh
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The Mirrored Ladder of Strata — Stephen O’Malley
- Letter to Sorcerers (Here Too There Are Stars)
- Soiled by Rebel Powers
- Only Chaos Sings the Truth
- Forest, Forest, Forest (Until My Blood Contains All)
Position in contemporary practice
Prefaced by writer-philosopher Jason Mohaghegh and musician Stephen O’Malley, Anarch stands at the intersection of art book, occult reflection, and ecological philosophy. It frames artistic production as an exposure to instability rather than control — where meaning is generated through decay, encounter, and environmental entanglement.
